The Capricious Camera Essay -- Germany Nazis Phototgraphy Papers

The Capricious Camera In the years between 1933 and 1945, Germany was engulfed by the rise of a powerful new regime and the ultimate spoils of war. During this period, Hitlers quest for racial purification turned Germany not only at odds with itself, but with the rest of the world. Photography as an art and as a business became a regulated and potent force in the fight for Aryan domination, Nazi influence, and anti-Semitism. Whether such word-paintings were used to promote Nazi ideology, document the Holocaust, or scare Germanys citizens into accepting their own changing country, the effect of this picture taking provides enormous insight into the true stories and lives of the people most affected by Hitlers racism. In fact, this photography has become so widespread in our understanding and teaching of the Holocaust that often other factors involved in the Nazis racial policy have been undervalued in our history textbooks-especially the attempt by Nazi Germany to establish t he Nordic Aryans as a master race through the Lebensborn experiment, a breeding and adoption syllabus designed to eliminate racial imperfections.This other side of the story, so to speak, is evident in Nazi photography, but is not easily accessible or pull down immediately apparent to viewers. The photograph Mounted Nazi Troops on the Lookout for Likely Polish Children would not be so shocking or historically suggestive without the caption to describe its significance. Who is this young white girl surrounded by armed soldiers? Is she being protected, watched, persecuted? It would be easy enough to outwear that she is Jewish, but unlike photos documenting the Holocaust, with this image the intent is uncertain. In our general ignorance of the events surrounding th... ...saw the image as artistic, subsequent events compel us to try and see the image of the Polish girl with Nazis as journalism. In this endeavor, we must uncover as much as possible about the surrounding context. As m uch as we can, we need to know this girls particular story. Without a name, date, place, or relevant data, this girl would fall even further backwards into the chapters of unrecorded history.Works CitedMounted Nazi Troops on the Lookout for Likely Polish Children. Clay and Leapman.Clay, Catrine and Michael Leapman. Master Race The Lebensborn Experiment in Nazi Germany. London Hodder and Stoughton, 1995.Milton, Sybil. The Camera as appliance Documentary Photography and the Holocaust. Multimedia Learning Center Museum of Tolerance. The Simon Wiesenthal Center. 1999<http// motlc.wiesenthal.com/resources/books/ annual1/chap03.html.